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1969 Ford Bronco Brings Modern Tech to Old-School SUV

1969 Ford Bronco Brings Modern Tech to Old-School SUV 20 Jan 2021, 8:18 UTC · by It’s not long now until the new generation of the Bronco, an entire family, in fact, hits the road. That means we should get ready for a flood of more or less intense exploits of the Ford machine, as it moves to make a name for itself in a world dominated until now by Jeep. 7 photos Even with the impending arrival of the new generation, the old one is still causing a stir anytime a worthy example comes to light. One usually finds them on auction lots, waiting to be sold as a reminder that the old Bronco is not going away.

Twenty-Year Bond Auction Attracts Below Average Demand

WASHINGTON (dpa-AFX) - The Treasury Department announced the results of this month's auction of $24 billion worth of twenty-year bonds on Wednesday, revealing the sale attracted below average

Christie s announces online-only auction of Old Master prints

Christie s announces online-only auction of Old Master prints Albrecht Dürer (1471-1528), Adam and Eve, engraving (1504, estimate: £100,000-150,000). © Christie s Images Ltd 2021. LONDON .-Christie’s Old Master Prints online-only auction, open for bidding from 19 to 28 January 2021, offers a selection of fine and rare prints that span five centuries of European printmaking. The works presented range from a hand-coloured woodcut from the mid- to late-15th century by an anonymous German printmaker to an early-19th century French lithograph with watercolour by Carle Vernet. Albrecht Dürer is represented, in both woodcut and engraving, including a proof-impression of the Crucifixion from the Large Passion (circa 1498, estimate: £25,000-35,000) and two of his most iconic engravings: Adam and Eve (1504, estimate: £100,000-150,000) and Melencolia I (1514, estimate: £80,000- 120,000). Rembrandt’s Self-Portrait, wearing a soft Cap: full Face, Head only (circa 1634, estimate: £1

New exhibition on view at Burrard Arts Foundation features works from Vancouver artist Annie Briard

New exhibition on view at Burrard Arts Foundation features works from Vancouver artist Annie Briard Annie Briard, Within The Eclipse. by Meredyth Cole and Genevieve Michaels VANCOUVER .- Prolonged exposure creates a sense of disconnect: staring too long, repeating words, looping audio. Repeating the same word again and again, it becomes meaningless, a phenomenon known as semantic satiation. Annie Briard examines this disorientation in the realm of vision, contending with the fallibility of human senses and the malleable nature of perception through images and light-based installations that create subtle rifts in what we think we see. By encouraging us to look longer, more deeply, and from a different stance, Briard’s work creates fertile dissonance, where the concreteness of reality begins to melt away.

1970 Ford Torino GT Is How All Cars Should Look When They Turn 50

autoevolution 20 Jan 2021, 9:22 UTC · by Take a good long look at the cars that happen to be around you, and ask yourself: how will our grandchildren look upon them half a century from now? Will they cherish them as much as we do the machines made 50 years in our past, or will they see them as relics worth nothing more than a footnote in some industry history book? 6 photos My personal guess is they’ll be forgotten. Granted, present-day cars are monuments to cutting-edge technology, but design-wise they (and by they I mean pretty much all of them) lack the visual impact cars of the 1960s and 1970s had and still have.

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